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29. Adding final touches like light wrap, grain and chromatic ab...

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1. Introduction and project overview

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2. Re-organizing a finished script for ease of use

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3. Animating a Switch node to load different channels

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4. Compositing passes together to extract a ground shadow

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5. Minimizing missing shaders with expressions

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6. Creating a pearlescent finish with an incidence pass

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7. Extending our motion vectors using blurs and shuffles

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8. Color correcting our foreground and background to match

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9. Adding depth by color correcting based on a world point pass

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10. Importing the clean plate script and adding tree movement

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11. Keyframing our spline warp with animation principles

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12. Using constraints in Maya to export particle emitter geometr...

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13. Creating various particle forces to sculpt movement

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14. Defining the look of the particle with noise and curves

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15. Post producing the particles before rendering

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16. Compositing our particles over the background plate

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17. Changing the particle script to render the other dust clouds

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18. Using regions to control the particle forces based on 3D dat...

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19. Compositing our other dust clouds using cloning

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20. Using roto to layer our dust into the middle of the truck

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21. Adding more dust noise and finishing our particles

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22. Adding Lens Distortion to the foreground footage

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23. Adding lens flare artifacts with transforms and blurs

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24. Creating an anamorphic-like lens flare with Glint

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25. Animating camera shake on impacts

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26. Using 3D data with Reconcile 3D nodes to animate flares

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27. Using our camera to add motion blur to the BG and particles

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28. Final color correction with the CC node, crosstalk and color...